10 GOLD COIN VALUE

10 gold coin value : Antique gold bracelet

FREE GOLD MAKING GUIDE WOTLK - FREE GOLD MAKING


Free Gold Making Guide Wotlk - Gold Beaded Sandals - White Gold Diamond Circle Pendant.



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free gold making guide wotlk - The Charnley




The Charnley House: Louis Sullivan, Frank Lloyd Wright, and the Making of Chicago's Gold Coast (Chicago Architecture and Urbanism)


The Charnley House: Louis Sullivan, Frank Lloyd Wright, and the Making of Chicago's Gold Coast (Chicago Architecture and Urbanism)



Situated in Chicago's famed Gold Coast, just north of the Magnificent Mile, the Charnley house is one of the finest dwellings in the city and considered worldwide to be a stunning example of avant-garde architecture. Now the headquarters of the Society of Architectural Historians and designated a National Historic Landmark in 1998, the house was built in 1892 at a critical moment in urban and architectural history. The Charnley House is the first authoritative publication on the building, which has long been discussed in surveys but never before examined in detail.

In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.

The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.
(20040801)










80% (14)





Blue and Gold Macaw




Blue and Gold Macaw





Description:

The Blue and Gold Macaw ( ararauna) is one of the most popular pet Macaws around the world. With their even temper, intelligence and beauty, this is no surprise to those who know these marvelous birds.

The Blue and Gold Macaw, also know as the Blue and Yellow Macaw has a reputation among Macaws for being a good talker. While one can never be sure if their pet parrot will ever talk, the Blue and Gold Macaw is more likely to talk than other varieties of Macaw. The Blue and Gold Macaw is lively, intelligent, affectionate and even-tempered. Be warned, however, they are also very loud. If you want quiet in your home you should never consider a Blue and Gold Macaw for a pet. They can also be quite destructive if not given plenty of toys to chew. In spite of their noisiness and their love of chewing the Blue and Gold Macaw makes a wonderful pet. The Blue and Gold Macaw is gentle and sweet. They are highly social parrots and love being around people. Out of all the Macaws the Blue and Gold is one of the easiest to socialize. They are adaptable and can also be re-socialized quite easily. Because of their intelligence the Blue and Gold is quite good at learning new tricks and seems to delight in doing so.

The Blue and Gold Macaw is breathtaking because of its beautiful plumage and his immense size. Adult Blue and Golds average 34 inches (86cm) in length. Male and female Blue and Gold Macaws are not sexual dimorphic, that is there is not discernable difference between them. The plumage of the Blue and Gold Macaw is primarily bright blue and bright saffron yellow. The yellow is seen primarily on the underside of the Blue and Gold while Blue covers most of his body. The wings of the Blue and Gold are primarily blue, darker on the primaries. The tail is also blue. The Blue and Gold's throat is black, and has been described as a "black beard". As with most Macaws, the Blue and Gold has bare cheeks decorated with black lines. The front of his crown is a beautiful emerald green that becomes blue that covers the rest of the head. The iris of the mature Blue and Gold macaw is yellow, sometimes yellowish-green. One can distinguish immature Blue and Golds by their dark brown irises.

Unfortunately they are currently disappearing from many areas including, Venezuela, Brazil and Columbia. This disappearance is due largely to hunting, trapping, trade and habitat destruction. The natural habitat of the Blue and Gold Macaw includes open marshlands and woodlands, rainforest, and other areas with large trees. They are usually seen in pairs, family groups, or flocks of not more than 20 birds. Occasionally one might see gatherings of Blue and Golds, which can number into the hundreds.

Distribution:

Originating in South America, Blue and Gold Macaws have been seen in Colombia, Panama, Argentina, Bolivia, Brazil, Ecuador, Venezuela, French Guiana, Guyana, Peru, and Trinidad.

Breeding and Propagation:

The Blue and Gold Macaw is regularly bred in captivity. Mating seasons begins in April. The hen usually lays a small clutch of one to three eggs. Following an incubation period of 25 - 27 days babies are born. They fledgling period lasts 12 weeks. Most Blue and Golds breed once a year, occasionally some will see two breedings within the same year.

Average Lifespan: 50 year(s)

Compatibility: Average (as compared to other parrots)

Scientific Classification:

Kingdom:
Animalia
Phylum: Chordata
Class: : Aves
Order: : Psittaciformes
Family: : Psittacidae
Genus: : Ara
Species: : ararauna











Day 207/365 "Gold"




Day 207/365 "Gold"





The swim team banquet is tomorrow night. It's always a tradition for the captains to do their own awards for obscure things that happend during the season. Part of that means going to party city and buying the most ridiculous things. Then spray painting them gold to make it into an award.
Since we basically waited until the last minute to prepare everything, I did lots of spray painting tonight.

The picture? Another "face paint" type picture. Although this one has more of a purpose. I did tons of dodging and burning to this one too, and I think it gave it a neat look.

Strobist: Vivitar 383 into shoot thru umbrella high camera left.

2/17/10









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free gold making guide wotlk




Yehuda Amichai: The Making of Israel's National Poet (Tauber Institute Series for the Study of European Jewry & Schusterman Series in Israel Studies)






Yehuda Amichai is one of the twentieth century's (and Israel's) leading poets. In this remarkable book, Gold offers a profound reinterpretation of Amichai's early works, using two sets of untapped materials: notes and notebooks written by Amichai in Hebrew and German that are now preserved in the Beinecke archive at Yale, and a cache of ninety-eight as-yet unpublished letters written by Amichai in 1947 and 1948 to a woman identified in the book as Ruth Z., which were recently discovered by Gold.

Gold found irrefutable evidence in the Yale archive and the letters to Ruth Z. that allows her to make two startling claims. First, she shows that in order to remake himself as an Israeli soldier-citizen and poet, Amichai suppressed ("camouflaged") his German past and German mother tongue both in reference to his biography and in his poetry. Yet, as her close readings of his published oeuvre as well as his unpublished German and Hebrew notes at the Beinecke show, these texts harbor the linguistic residue of his European origins. Gold, who knows both Hebrew and German, establishes that the poet's German past infused every area of his work, despite his attempts to conceal it in the process of adopting a completely Israeli identity.

Gold's second claim is that Amichai somewhat disguised the story of his own development as a poet. According to Amichai's own accounts, Israel's war of independence was the impetus for his creative writing. Long accepted as fact, Gold proves that this poetic biography is far from complete. By analyzing Amichai's letters and reconstructing his relationship with Ruth Z., Gold reveals what was really happening in the poet's life and verse at the end of the 1940s. These letters demonstrate that the chronological order in which Amichai's works were published does not reflect the order in which they were written; rather, it was a product of the poet's literary and national motivations.










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